Compare and contrast two artworks of the 19th century Essay

Compare and contrast two art kit and caboodle of the 19th century - taste ExampleOn the other hand, Paul Cezanne used Madame Cezannes portrait to express classical shut up and ultimate simplicity. In the portrait, Cezanne does not capture the social status of his wife and therefore there is nothing to express her status as a model, lines and other artistic features are used to express stirred place (Athanassouglou-Kallmyer, and Provence 234). This essay will give a brief biography of both artists and expound on similarities and differences of Comtesse de La Tour-Maubourg and Madame Cezannes portraits as mediums of expression. Theodore Chasseriau was born(p) in Samana Dominican republic and his family moved to Paris when he was the historic period of three. His artworks have been influenced by Ingres and therefore his paintings, drawings and styles exhibited in his finished works are relatively close to the works of Ingres. Chasseriau started work at the Masters Studio at the age of eleven where he met Ingres and act working until Ingres left to lead the Academic de France in Rome in 1834. Through his brothers connections, he was able to draw portraits of elites in both the church and the state and his works were easily genuine in the society. He started producing his artworks in 1836 and moved to Rome in 1841 to join his mentor Ingres. Chasseriaus superior artworks were the Othello etchings in 1844 and a trip to Algeria exposed him to Orientals subjects that he was learning and was interested in exploring in the handle of art. After his death, the staircase for Cour-des-Comptes that symbolized war and peace were destroyed by fire in 1846. Paul Cezanne was born in 1839 in Aix-en-Provence in France in a well-off family that assured his financial stability and back up him in his artistic works, an advantage that was missed by most artists of the time. Cezannes father wanted him to study practice of law and he was forced to study Law at the University of Aix. However, he inherited a vivacious and quixotic touch from his mother, and in 1857 he went for drawing classes under Joseph Gilbert at the Free Municipal train of Drawing at Aix. Because of a strong desire to pursue his passion, Cezanne went against his fathers wishes and under the hike of Zola, delved into artistic works, and moved to Paris where he developed his artistic skills, through the mentorship of Camille Pissarro. In his early works, Cezannes paintings were majorly extended heavy figures in the landscape that were painted through imagination. However, as he developed, he advanced to working and painting from direct observation and this culminated into a light airy painting style. He struggled to create a connection between his observations and classical compositions. The Comtesse de La Tour-Maubourg portrait is symmetrical, with its proper positioning and proportional utilization of billet allowing the artist to fix the background and other natural features in a proper proportion and distance in reference to the subject. On the other hand, the portrait of Madame Cezanne in a red dress her specialty sitting on the yellow chair and the details of wall look at out a very(prenominal) symmetrical relation of the different features that have been captured. The Primary colors, which are blue, red and yellow, are used to bring